All Improv Perfomers All Improv Gigs Iris Ederer Performer Bio (Max 1000 characters) London and South East improv gigs SKRONK #5 9 August 2016 SKRONK #1 31 May 2016 SKRONK #2 21 June 2016 Performer notes, message or style description http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs John Macedo Electronics Performer Bio (Max 1000 characters) London and South East improv gigs FlimFlam 29 October 2025 Performer notes, message or style description http://Website or social media email or phone number

TEST PAGE - NOT PUBLIC - INVITE ONLY Platforms like Facebook and Twitter (X) are walled gardens, locking in your data. What if you could set it free on the open web? Welcome to the Cultural Memory System (CMS) Test Page Thank you for being part of our CMS prototype. This is a developing webpage to highlight our new Cultural Memory System (CMS), designed to collect information from artists, promoters, venues, and gig organisers. The aim is to help build a shared cultural archive that supports future creativity and preserves the stories behind events, people, and places. Demo: Improv Vox 2024 - 2025 Example of our interactive graph. How to use the graph Below is an interactive graph showing connections from the Lo-fi Ensemble Impro Vox sessions held at the Bridewell Theatre Bar, London, between 2024 and 2025. > Use the + and – buttons to zoom in and out. > Click or tap on a node to select it. > Press and hold a node to focus on its direct connections. > To exit focus mode, tap and hold the background. Performed or want to perform at Impro Vox? Add your details here to be included in the cultural memory of the Impro Vox sessions. [Or Click Here] About The CMS you are testing here is designed to open up the future of your events. By contributing, you will start to see how your occasions connect to each other, to venues, to artists, and to wider cultural movements. For You It supports new merchandise and marketing opportunities, helps archive and share your stories, and keeps your event data clean and structured. Most importantly, your data remains yours . It is not locked into Fourth Portal and can be used with any future technology you choose. Participate We are inviting selected venues, promoters, events, and artists from different disciplines to upload their details. These are then translated into structured, machine-readable data and visualised as interactive demo graphs like the one above. To become involved, please get in touch or complete one of the forms linked below. info@fourthportal.com Forms Below > Most fields are optional. You can provide as much or as little information as you like. > Submissions are processed automatically to test our backend and ensure your data appears correctly. In the next stage, we will return your input as clean, computer-readable data. > If you enter enough boxes, we may also show you a graph linking your events to others, as above. > This is an early prototype, so parts may still feel rough. Please let us know if you encounter any issues or have feedback. Your event is a cultural legacy Let it flow freely across the web Fill in the form to add your event and begin building your own rich cultural archive. Add Your Gig Gig Title or Artist Name* Headliner Act (if different) Venue or Location Support Act Headliner Website or Social Email* Date of Event Your Name (optional) Message / More Information Submit Fill in the form to add your venue and begin building your own rich cultural archive. Add Your Venue Venue Name Contact Name* Email* Phone Number Venue Type Music Venue Bar/Cafe Theatre Festival Conference Address Capacity (approx.) Website / Social Media Write a message Submit More Information The box colours are deliberate. We are testing whether colour-coding types of activity or groupings helps with finding information later. We recognise that concentration, dyslexia, and disability can make reading difficult, especially in the creative and live sectors. A key aim of the Cultural Memory System is to present content in multiple formats to improve accessibility. ARTIST CSM Contact Name of Artist or Act* Contact Artist Email* Genre Live Music Spoken Word / Poetry Experimental / Sound Art Theatre / Performance Visual / Multimedia Home City/Town Social Media or Website Upcoming Event Message / Anything Else Submit Performed or want to perform at Impro Vox? Add your details here to be included in the cultural memory of the Impro Vox sessions. IMPRO VOX PERFORMER 1. Performer Name (Your Name) 2. Email Address 3. Where are you based? (City/Borough/Town) 4. Have you performed at Impro Vox before? (Yes/No) Yes, I have performed before No, I have NOT performed before 5. Instrument / Role (Select Primary Instrument) 6. Instrument / Role (Select Secondary Instrument) 7. Tell us briefly about yourself Web & Social Links 8. Website 9. Instagram 10 . Facebook 11. TikTok 12. Bandcamp 13. Other Social Profile (e.g. SoundCloud, Threads) 14. Linktree or similar multi-link profile 15. Which of these should we show publicly? (Paste preferred link) Other Details 16. Do you have any upcoming performances elsewhere? 17. Do you give permission to record your performance? (Yes/No) Yes No 18. Do you give permission to use your photo? (Yes/No) Yes No 19. Your Name (if you're filling this in on someone else's behalf) 20. Message to the Impro Vox team (optional) I AGREE TO HAVE MY DETAILS SHARED ON OUR CSM PUBLIC, WITH IMPRO VOX ORGANISERS AND OTHER PARTIES. * Submit Impro Vox Performer Form

Ten years of research and development has been spent developing these original portal spaces focused on technology, environment and sound that offer opportunity for entrepreneurship that benefits whole communities while reducing the impact on the planet. Portals What are the Fourth Portal portals? Portals are venues that will become the next generation of gathering spaces, blending online and the virtual. As with the emergence of coffee houses in the 1990s based on those from the 1600s as places to meet the like minded, conduct business, work and enjoy social interactions, portals will be the next iteration, offering a hybrid experience where simultaneous real-life and virtual interconnection becomes normal. The Fourth Portal is at the forefront of this revolution, evolving new spaces and offering advice and services that will suit any need during Covid-19 and for the post-pandemic world. If you have a meeting, conference, party or seeking alternative ways of making your business operations run more efficiently, then get in touch for a chat. Read More > VIEW AT A GLANCE VIEW IN DETAIL EVENT LOCATION EVENT START TIME INTRODUCTION

All Improv Perfomers All Improv Gigs Sky Cody Performer Bio (Max 1000 characters) London and South East improv gigs SKRONK #176 15 July 2025 Performer notes, message or style description http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs Petra Haller Tap Dance Performer Bio (Max 1000 characters) London and South East improv gigs Boat-Ting Nov25 3 November 2025 Boat-Ting Nov 2025 http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs Noel Taylor Performer Bio (Max 1000 characters) London and South East improv gigs SKRONK #4 19 July 2016 SKRONK #5 9 August 2016 London Improvisers Orchestra #37 8 March 2025 Performer notes, message or style description http://Website or social media email or phone number

Fourth Portal transforms traditional and derelict shops, pubs and public places* into activity and co-working spaces for entrepreneurs, start-ups and creative business people providing relaxed surroundings and ambient atmosphere in an imaginative setting. About Fourth Portal Before the onset of Covid-19 in early 2020, the Fourth Portal was on a journey to create real-world spaces that would introduce AI and Machine Learning to non-academic, non-technologist by creating hybrid venues that people could visit like any cafe or shop on the High Street. The original intent was to create some real-world spaces and introduce virtual working using emerging tools like Zoom and Microsoft Teams, almost unheard of outside technology and corporate circles. The pandemic turned this on its head, and the Fourth Portal had to pivot, to develop the virtual spaces first and then introduce the real-world opportunities. This is the story so far... Introduction | Fourth Portal plan in December 2019 Fourth Portal transforms traditional and derelict shops, pubs and public places* into activity and co-working spaces for entrepreneurs, start-ups and creative business people providing relaxed surroundings, ambient atmosphere in an imaginative setting with a range of services, products, events and exhibitions focused on new and future technology. How ideas become reality | A personal journey Fourth Portal is the brainchild of founder John McKiernan (history here ) who is fascinated by how ideas form and become reality, whether it's a business, technology or a work of art. This fascination is coupled with a frustration with an education system that seeks to systemise the process of bringing an idea to fruition by focusing on acronyms, models and flowcharts. Modelling is fine for iteration, making slight changes to a product or service, however there is limited value when deciding whether to develop an original idea and make it reality. Haphazard Business | How ideas become reality John once had a small chain of coffee bars in South London and was always intrigued by the number of ideas and schemes customers were trying to develop, whether a business start-up, researching for an academic qualification or creating a work of art. The joy, pain and reality in the processes of all these personal journeys shared certain traits: the inconsistency of everyday life, overcoming scepticism of peers, energy to carry through on an idea and of course the stark reality that some ideas are just not very good. Emergence of Fourth Portal | A road trip Fourth Portal itself has been an idea floating around in John's head for more than a decade, an idea that would capture peoples' imagination briefly only to fade as it could not be explained simply; making financial support difficult to obtain. So in early 2019, John set off on a self-funded Haphazard Business road trip (as a representation of the journey of discovery) to blog about the process of developing his idea of establishing an innovation hub. Haphazard Business became the name of the blog documenting his travels, emphasising how an original idea pivots as comments, circumstance and other haphazard factors feed in and alter progress. Meeting of Minds | Coincidence, synchronicity or luck During his haphazard journey, John attended many events, exhibitions and locations, allowing himself to drift with the flow rather than dictate or seek an outcome. This took him to many interesting places, discovered numerous insights and met some fascinating people, including Gillian Harwood, who would lead the project to Great Yarmouth, a down-at-heel Norfolk coastal town. Great Yarmouth | Gillian Harwood's story Gillian Harwood has been a successful entrepreneur for more than 40 years, and owns a number of small business work hubs, the largest of which is Busworks, in London's King's Cross (read more here ). Gillian fell in love with Great Yarmouth following a visit to the permanent Hippodrome Circus in 2017. Seeing the town was in steep decline, and lined with beautiful period architecture, Gillian decided to try and help kick off a change in fortunes by investing in some run down buildings and returning them to the splendour they once enjoyed. Meeting of Minds | Fourth Portal John met Gillian randomly over a glass of wine at the Royal Society of the Arts (RSA), where they are both fellows. John explained his journey and Gillian encouraged, repeatedly, for him to visit Great Yarmouth. Initially uninterested, over the summer of 2019 John became increasingly intrigued by the town, its decline and the potential to reinvent itself (more here ). Gillian offered John free use of the buildings she had purchased to trial out Fourth Portal and the project was born. Covid-19 | A Haphazard Response With the doors to Portal B just ajar for the first customers, the UK government ordered a lockdown to counter the rapidly spreading Covid virus, requiring all non-essential businesses to close. Across the world personal and commercial business went into a tailspin as governments responded in a haphazard fashion. Just as John set out on a haphazard business journey one year ago, now the rest of the world seems to have decided to join him... Read More >

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< Back Visual Speech In Real Noisy Environments (VISION) A Novel BenchmarkDataset and Deep Learning-based Baseline System ResearchGate 1 Oct 2022 In this paper, we present VIsual Speech In real nOisy eNvi- ronments (VISION), a first of its kind audio-visual (AV) cor- pus comprising 2500 utterances from 209 speakers, recorded in real noisy environments including social gatherings, streets, cafeterias and restaurants. While a number of speech enhance- ment frameworks have been proposed in the literature that ex- ploit AV cues, there are no visual speech corpora recorded in real environments with a sufficient variety of speakers, to en- able evaluation of AV frameworks’ generalisation capability in a wide range of background visual and acoustic noises. The main purpose of our AV corpus is to foster research in the area of AV signal processing and to provide a benchmark corpus that can be used for reliable evaluation of AV speech enhancement systems in everyday noisy settings. In addition, we present a baseline deep neural network (DNN) based spectral mask es- timation model for speech enhancement. Comparative simula- tion results with subjective listening tests demonstrate signifi- cant performance improvement of the baseline DNN compared to state-of-the-art speech enhancement approache https://www.researchgate.net/publication/354141486_Visual_Speech_In_Real_Noisy_Environments_VISION_A_Novel_Benchmark_Dataset_and_Deep_Learning-Based_Baseline_System For more: Audio Previous Next

< Back The Cloud Under The Sea The industry responsible for laying the cables for the internet traces its origins back far beyond the internet, past even the telephone, to the early days of telegraphy. It’s invisible, under-appreciated, analog. Few people set out to join the profession, mostly because few people know it exists. The Verge 19 Apr 2024 Want a career connecting the world? An immersive long read about laying the cables that the internet and we all rely upon. The home of the Fourth Portal, St Andrew's Church, is dedicated to those who work and travel the seas. This excellent long read follows the journey of those who repair the cables of the worldwide internet, revealing a fascinating life and opportunities for employment to see a whole new world. ___ "St Andrew's Waterside Church Mission for Sailors, Fishermen and Emigrants, 1864-1939 was established in 1864 to serve merchant seamen, fishermen and emigrants passing through the parish of Holy Trinity at Milton-next-Gravesend on 'sound Church principles', (ie 'high' or mainstream rather than 'low' church within the Church of England)." ( https://mar.ine.rs/stories/st-andrews-waterside-church-mission/ ) ___ “It hasn’t changed in 150 years... The Victorians did it that way and we’re doing it the same way.” "The industry responsible for this crucial work traces its origins back far beyond the internet, past even the telephone, to the early days of telegraphy. It’s invisible, underappreciated, analog. Few people set out to join the profession, mostly because few people know it exists. Others come to the field from merchant navies, marine construction, cable engineering, geology, optics, or other tangentially related disciplines. When Fumihide Kobayashi, the submersible operator — a tall and solidly built man from the mountain region of Nagano — joined KCS at the age of 20, he thought he would be working on ship maintenance, not working aboard a maintenance ship. He had never been on a boat before, but Hirai enticed him to stay with stories of all the whales and other marine creatures he would see on the remote ocean. Once people are in, they tend to stay. For some, it’s the adventure — repairing cables in the churning currents of the Congo Canyon and enduring hull-denting North Atlantic storms. Others find a sense of purpose in maintaining the infrastructure on which society depends, even if most people’s response when they hear about their job is, But isn’t the internet all satellites by now? The sheer scale of the work can be thrilling, too. People will sometimes note that these are the largest construction projects humanity has ever built or sum up a decades-long resume by saying they’ve laid enough cable to circle the planet six times. The world is in the midst of a cable boom, with multiple new transoceanic lines announced every year. However, there is growing concern that the industry responsible for maintaining these cables is running perilously lean. There are 77 cable ships in the world, according to data supplied by SubTel Forum, but most are focused on the more profitable work of laying new systems. Only 22 are designated for repair, and it’s an ageing and eclectic fleet. Often, maintenance is their second act. Some, like Alcatel’s Ile de Molene, are converted tugs. “One of the biggest problems we have in this industry is attracting new people to it,” said Constable. He recalled another panel he was on in Singapore meant to introduce university students to the industry. “The audience was probably about 10 university kids and 60 old grey people from the industry just filling out their day,” he said. When he speaks with students looking to get into tech, he tries to convince them that subsea cables are also part — a foundational part — of the tech industry. “They all want to be data scientists and that sort of stuff,” he said. “But for me, I find this industry fascinating. You’re dealing with the most hostile environment on the planet, eight kilometres deep in the oceans, working with some pretty high technology, travelling all over the world. You’re on the forefront of geopolitics, and it’s critical for the whole way the world operates now.” The industry’s biggest recruiting challenge, however, is the industry’s invisibility. It’s a truism that people don’t think about infrastructure until it breaks, but they tend not to think about fixing it, either. In his 2014 essay, “Rethinking Repair,” professor of information science Steven Jackson argued that contemporary thinking about technology romanticizes moments of invention over the ongoing work of maintenance, though it is equally important to the deployment of functional technology in the world. There are few better examples than the subsea cable industry, which, for over a century, has been so effective at quickly fixing faults that the public has rarely had a chance to notice. Or as one industry veteran put it, “We are one of the best-kept secrets in the world, because things just work.” https://www.theverge.com/c/24070570/internet-cables-undersea-deep-repair-ships For more: Security, Infrastructure Previous Next

On a warm summer evening, Hypermedia Open Space 9 brought together poets, musicians, and experimental performers for another night of DIY creativity, open mic, and discussion at the Fourth Portal. With a mix of laughter, poetry, and sound experiments, the event showcased established and emerging artists, proving once again that unpredictability fuels creativity. Hypermedia DIY Open Space 9 < Back 14 August 2024 On a warm summer evening, Hypermedia Open Space 9 brought together poets, musicians, and experimental performers for another night of DIY creativity, open mic, and discussion at the Fourth Portal. With a mix of laughter, poetry, and sound experiments, the event showcased established and emerging artists, proving once again that unpredictability fuels creativity. Previous Next Hypermedia Open Space 9 On a warm summer evening, Hypermedia Open Space 9 returned to the Fourth Portal, bringing together poets, musicians, sound artists, and experimental performers for another night of DIY creativity, open mic, and discussion. Known for its welcoming and unpredictable atmosphere, the event was a cracking evening of laughter, original poetry, and song, where new voices and returning performers pushed the boundaries of performance and community-driven arts. A Stage for All Voices With a steady flow of performances, the Fourth Portal stage saw contributions from both established and emerging artists, creating an environment where new collaborations formed in real time. Performers included (some names missing): Anthony Hart Chris Porcas Joe Cleary Johnny G Lee Campbell Nick Poet Redeeming Features Evelina Renata Arthur Camara Paul Taylor Joe Whittaker From high-energy spoken word to experimental soundscapes, Hypermedia Open Space 9 continued to demonstrate the power of grassroots creative spaces in Gravesend and beyond. As always, the evening embraced unpredictability, proving once again that art, music, and poetry thrive when given space to evolve without constraints. Artist focus Paul Taylor – Trombone Poetry Paul Taylor (main video below) is a multifaceted artist based in Rotherhithe, London, best known for Trombone Poetry, a solo performance project blending spoken word and trombone improvisation. His work is a fusion of rhythm, melody, and poetry, creating a distinctive and dynamic storytelling experience. In addition to performing, Paul is a brass tutor and author, with a background in philosophy and music education. 🔗 Trombone Poetry Website 🔗 Paul Taylor on Facebook Joe Whittaker – Folk Singer & Promoter Joe Whittaker is a folk singer and event booker at the Dartford Folk Club, one of the longest-running folk venues in the UK. A strong advocate for folk traditions and storytelling through song, he is also a contributor to Folk London, a bi-monthly magazine covering folk music, dance, and song events across Greater London and beyond. 🔗 Folk London Website Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next