Search Results

All Improv Perfomers All Improv Gigs Sid Hope Performer Bio (Max 1000 characters) London and South East improv gigs SKRONK #176 15 July 2025 SKRONK #177 2 September 2025 SKRONK #178 16 September 2025 SKRONK #175 1 July 2025 Performer notes, message or style description http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs Ronnie McGrath Poetry Performer Bio (Max 1000 characters) London and South East improv gigs Boat-Ting Oct18 1 October 2018 Boat-Ting Oct 2018 http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs Douglas Benford Accordion / Melodica / Glockenspiel / Tin Whistle Performer Bio (Max 1000 characters) London and South East improv gigs Boat-Ting Nov25 3 November 2025 London Improvisers Orchestra #39 28 September 2025 London Improvisers Orchestra #38 9 July 2025 London Improvisers Orchestra #37 8 March 2025 London Improvisers Orchestra #36 7 June 2025 Load More Performer notes, message or style description http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs Steven J. Fowler Performer Bio (Max 1000 characters) London and South East improv gigs ImproVox #09 19 May 2025 Performer notes, message or style description http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs Aya Performer Bio (Max 1000 characters) London and South East improv gigs SKRONK #1 31 May 2016 SKRONK #2 21 June 2016 Performer notes, message or style description http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs Laura Sampson Performer Bio (Max 1000 characters) London and South East improv gigs SKRONK #4 19 July 2016 SKRONK #5 9 August 2016 Performer notes, message or style description http://Website or social media email or phone number

Portal B transforms a traditional English pub into a futuristic cafe bar shared workspace offering light locally sourced food, soundart and electronic performances and talks. Portal D | Fourth Portal Pavilion The Fourth Portal Pavilion Arena and Lounge offers clients almost unlimited online options for larger events, conferences and gatherings with a capacity of up to 2,000 people at one time. Fourth Portal Pavilion Lounge The lounge area consists of beautifully designed customisable tables that provides for multiple hostings to take place simultaneously, with attendees and delegates free to move around unhindered. The Fourth Portal Lounge delivers exceptional versatility to run all kinds of smaller events, workshops, gatherings, talks and new working methods. With pricing to suit even the tightest budget, the lounge is suitable for large corporations and individuals to hire. Fourth Portal Pavilion Arena The Pavilion Arena is for sizable events, whether to cope with large numbers of guests or need for multiple stages and exhibition spaces. Reception Start as you mean to go on with a beautifully designed, customised reception area when guests enter your event. Stages Multiple stages can be created with up to 10 running simultaneously, each with up to 10 speakers per stage, and the audience able to move freely between each of the stages unhindered. Each stage has a backstage area where host and panel can meet before going live and can share screen, upload presentations in advance or live stream in from another platform. All stages can be streamed out on Facebook or YouTube live. Full HD recording available on request. Lounge The lounge allows all guests and hosts to congregate in one area. Guests are able to stay in the lounge throughout the event should they wish, and move freely among the tables. There is a dedicated networking option that provides random matching of guests allowing from 2 to 20minutes of discussion before being matched to the next person. Excellent tool for bringing people together. Exhibit Up to 50 exhibition booths are available that provide a multitude of ways to display work, products, innovations or classwork. Fully customisable, each space is fully contained and includes tables for visitors to talk to the team behind the display. The booths can be open or restricted and configured to each client's needs. Videos and assets can be uploaded in advance and a live stream is available into the space on the day of the event, plus much more. Book a Tour of the Fourth Portal Pavlion Watch Video Tour

Drilling for Oil was an immersive day of sculpture, discussion, participation, and performance, bringing together over 100 people from near and far. On an exceptionally cold and windy summer Bank Holiday Saturday, the gathering took a light-hearted yet thought-provoking look at our dependency on fossil fuels. Drilling For Oil | An Immersive Performance < Back 31 August 2024 Drilling for Oil was an immersive day of sculpture, discussion, participation, and performance, bringing together over 100 people from near and far. On an exceptionally cold and windy summer Bank Holiday Saturday, the gathering took a light-hearted yet thought-provoking look at our dependency on fossil fuels. Previous Next Drilling for Oil | An Immersive Performance – A Day of Exchange, Performance & Reflection From the first discussions in the afternoon to the final musical notes of the evening, Drilling for Oil | An Im mersive Performance brought together over 100 people in an open, participatory exploration of fossil fuel dependency, environmental impact, and artistic response. Beginning with a thought-provoking discussion led by Professor John Wood, the day evolved through sculpture, live music, and spoken word, creating space for deep reflection and shared experience. On Bawley Bay, the Wavelength Orchestra responded to the movement of the Thames, blending human and natural rhythms in a powerful sonic collaboration. As the sun set, the audience joined a sculptural procession, carrying Alice Helps’ steel oil rig and crab into the Fourth Portal, where immersive projections and live classical music transformed the space. With opera, poetry, and the gentle hum of conversation filling the room, Drilling for Oil concluded as it began—an invitation to engage, reflect, and imagine new possibilities for the future. Drilling for Oil Discussion, Prof. Emeritus John Wood, Alice Helps, Liam Handley and Naomi Boyle Opening Discussion: Rethinking Energy and Extraction The day began with a lively discussion hosted by Professor Emeritus John Wood ( Gold smiths), bringing together artist Alice Helps, plant biologist Dr Liam Handley, and artist Naomi Boyle to explore energy alternatives and the environmental impact of resource extraction. Set in the informal setting of Fourth Portal, the conversation welcomed input from the audience, reinforcing the venue’s role as a space where art, science, and public discourse intersect. Alice discussed her response to the UK government’s decision to grant new North Sea oil drilling licences, and her BA First-Class dissertation accompanying the sculptures is available to view by pressing the Documentation Page at the bottom of this page. Liam provided insight into the fragility of marine ecosystems and how fossil fuel expansion threatens biodiversity. Naomi Boyle brought a unique perspective through her passion for clay and natural materials, reflecting on how industries reliant on extraction shape both the environment and artistic practice. Professor Wood steered the conversation towards rethinking our economic reliance on fossil fuels, inviting participants to consider alternative models that promote sustainability and long-term environmental responsibility. His New School Futures project provides a new curriculum for environmental education, building on his earlier Metadesign research and his work developing the first Design Futures MA and department at Goldsmiths, University of London, in 1990. This interactive exchange set the stage for an afternoon and evening of participatory performances, grounding the event in critical thought while emphasising the role of creativity in addressing urgent environmental challenges. https://video.wixstatic.com/video/2fcede_0b70c33241f844eea35b2315812d1f71/1080p/mp4/file.mp4 Clip of talk and audience engagement Sculptures Alice Helps’ sculptures explore environmental activism through welded steel, highlighting the tension between industry and nature. Her oil rig sculpture, made from recycled scrap steel, was inspired by her reaction to new oil and gas licences being granted in the North Sea, driving her to question extractive industries and their environmental toll. Alongside it, a towering steel crab, influenced by the Japanese Spider Crab and the evolutionary process of carcinization, confronts viewers with its immense, alien-like presence. Drawing from Louise Bourgeois’ spider sculptures, the crab symbolises deep-sea resilience against human impact. Throughout the installation at the Fourth Portal, projections of digitally sculpted undersea creatures, created in Blender, surround the sculptures, immersing visitors in a world where industry and marine life collide. Wavelength Orchestra at Bawley Bay As the tide receded, Bawley Bay transformed into a performance space for the Wavelength Orchestra, an open-access group of musicians brought together to create a slowly evolving, site-specific composition. Led by Richard Sanderson, the orchestra’s score was the natural rhythm of the River Thames, with layers of improvised sound building into a rich, immersive experience. Musicians of all skill levels joined in—some seasoned, others picking up an instrument for the first time—adding to the orchestra’s organic, ever-changing soundscape. The result was a meditative and powerful auditory experience, captivating both participants and the audience as the sun dipped toward the horizon. A Procession of Sound and Sculpture As the final notes faded, the Wavelength Orchestra and audience joined together in a procession, carrying Alice Helps’ steel oil rig and crab sculptures from Bawley Bay into the Fourth Portal. The slow, deliberate movement of the crowd mirrored the steady evolution of the orchestra’s music, creating a moment of transition—from outdoor performance to indoor installation, from public space to intimate reflection. https://video.wixstatic.com/video/2fcede_a1d9a8f2fbc04829aee72cc61ae127d6/480p/mp4/file.mp4 An Evening of Opera, Classical Music, and Spoken Word As the sculpture procession entered the Fourth Portal, the evening transitioned into an intimate, multi-layered performance that wove together opera, classical music, poetry, and spoken word. Rachel, co-owner of the Compass Micro Pub, filled the space with a soaring operatic performance, her voice resonating through the room, meeting the sculptures as if in dialogue with their industrial forms. Accompanying her on piano was Julian Jacobson, one of Britain's most accomplished pianists, returning to the Fourth Portal following his lauded performance in February 2024. Julian’s set, inspired by rivers and the sea, included works by Debussy and other composers, each piece evoking the movement and power of water—a theme at the heart of the night’s discussion. Poetry and spoken word performances were interspersed throughout, creating a natural ebb and flow between music and language, reinforcing the event’s exploration of our complex relationship with fossil fuels and the environment. As projections of digitally sculpted marine creatures illuminated the space, the music, words, and visual elements merged into a deeply immersive experience, inviting the audience to reflect, engage, and participate in this unique artistic response to the climate crisis. https://www.youtube.com/watch?v=pW2so7XRDDA Reviews: Capturing the Power of the Evening The impact of the evening concert and entire day was best expressed through the voices of those who experienced it firsthand. Reviews were incredible, with many describing the event as unlike anything they had attended before—a unique blend of art, discussion, and performance that resonated deeply. These video reviews from Gravesend residents capture the energy, emotion, and power of the night, highlighting the lasting impression left by the immersive performances, thought-provoking discussions, and the collective experience of music, sculpture, and spoken word at the Fourth Portal. https://www.youtube.com/watch?v=EKIJv5KLevM Event Promo Page DRILLING FOR OIL | AN IMMERSIVE PERFORMANCE 31 August 2024, 15:00–23:00 Fourth Portal Register Now Support The Fourth Portal would like to thank Gravesham Borough Council for its kind support of Drilling for Oil | An Immersive Performance. Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next

All Improv Perfomers All Improv Gigs Thomas Tronich Performer Bio (Max 1000 characters) London and South East improv gigs SKRONK #4 19 July 2016 SKRONK #5 9 August 2016 SKRONK #6 23 August 2016 SKRONK #1 31 May 2016 SKRONK #2 21 June 2016 SKRONK #3 7 May 2016 Load More Performer notes, message or style description http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs Ashley Wales Conductor Performer Bio (Max 1000 characters) London and South East improv gigs Performer notes, message or style description http://Website or social media email or phone number

Ten years of research and development has been spent developing these original portal spaces focused on technology, environment and sound that offer opportunity for entrepreneurship that benefits whole communities while reducing the impact on the planet. History How Ideas Become Reality Hello, I am John McKiernan, the founder of Fourth Portal, a business that I have been toying with for more than a decade. Having had an early career in advertising before travelling the world, I set up one of the UK's first coffee bar chains in South East London in the 1990s, which included performance spaces and a theatre. Since closing the last of these in 2009, I have been toying with creating a new type of hub space focused on technology, environment and sound that could create opportunities for entrepreneurship that benefits whole communities while reducing the impact on the planet. To understand how people consider ideas and make decisions I curated and produced a large number of long-term public art intervention s , along with my ever-increasing network of fantastic Platform-7 collaborators (view here ). In spring 2019, I set out on a journey to finally take the plunge and create my first hub somewhere in the UK. Calling the journey Haphazard Business I began documenting my thinking and reasons for my decisions as I went in search of a suitable location. The intention has been to outline how haphazard such a journey can really be, with unexpected obstacles and random meetings dictating direction of travel (and this was well before the Covid-19 outbreak sent the world into a haphazard spin). One such random event was meeting Gillian Harwood, founder of Busworks in King's Cross - a large 350+ business hub, who invited me to view Great Yarmouth, an English seaside town as a potential location. Gillian and I clicked immediately and I agreed to open Fourth Portal in two buildings that she has recently purchased. Even before the Covid-19 outbreak, this was a risky venture as the town has been on a downward economic spiral for many years. However, the locals are very friendly, chatty and welcoming and I have really taken to the town, so I decided to set up here. At time of writing, 15 April 2020, no one knows how the Covid-19 outbreak will play out; basically the world is closing down for the spring. What we do know is that beyond this period a new World will emerge, and I believe Fourth Portal will become one of the beacons for a positive more reflective future. Thanks for your interest in Fourth Portal; I hope you will visit soon, John M Read More >

Two sell-out shows saw the Laserium transport audiences beyond the usual live performance, immersing them in a visual and sound mindscape. Post-event reviews described the experience as evoking the creation of the universe, forming unexpected narratives, and delivering sensorial experiences that transcended traditional perception. Funki Porcini Laserium Sunday < Back 28 January 2024 Two sell-out shows saw the Laserium transport audiences beyond the usual live performance, immersing them in a visual and sound mindscape. Post-event reviews described the experience as evoking the creation of the universe, forming unexpected narratives, and delivering sensorial experiences that transcended traditional perception. Previous Next "Scrambled brains," "unexpected connections of characters with the sounds," and "took the brain to many different places and calming" are just a few of the comments from attendees of the full Laserium at the Fourth Portal. The hundred-plus comments from the hundreds who viewed the 10-minute Laserium tasters during the Gravesham Light Festival had already piqued audience anticipation. What was encountered took the full-show audience well beyond typical live performance expectations. With over 800 lasers pulsating to a specially written composition, the Laserium is a masterpiece by Ninja Tune veteran Funki Porcini (James Braddell). Sitting in a blacked-out Fourth Portal, a former seafarers' chapel, the Laserium took the audience on a unique and surprising journey that "fully immersed" yet "allowed space within the mind to make your own narrative" (audience comments). https://video.wixstatic.com/video/2fcede_7a7a9e316d5841b4940a612b1e5ef75d/360p/mp4/file.mp4 Full Laserium show audience reviews, Sunday, 29 January 2024 Who is Funki Porcini? James Braddell, aka Funki Porcini, is a British music provocateur and humorist of the early Ninja Tune period. He mixes surreal jazz, found noise, synthetic strangeness, and dream logic. The name "Funki Porcini" is a twist on "Funghi Porcini," the Italian name for the mushroom Boletus edulis, commonly known as "penny bun." He spent ten years in Italy making music for film and television. Thereafter, he returned to England. In 1994, he signed to independent record label Ninja Tune and set up his own studio, The Uterus Goldmine. This event has ended. Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next