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On a warm summer evening, Hypermedia Open Space 9 brought together poets, musicians, and experimental performers for another night of DIY creativity, open mic, and discussion at the Fourth Portal. With a mix of laughter, poetry, and sound experiments, the event showcased established and emerging artists, proving once again that unpredictability fuels creativity. Hypermedia DIY Open Space 9 < Back 14 August 2024 On a warm summer evening, Hypermedia Open Space 9 brought together poets, musicians, and experimental performers for another night of DIY creativity, open mic, and discussion at the Fourth Portal. With a mix of laughter, poetry, and sound experiments, the event showcased established and emerging artists, proving once again that unpredictability fuels creativity. Previous Next Hypermedia Open Space 9 On a warm summer evening, Hypermedia Open Space 9 returned to the Fourth Portal, bringing together poets, musicians, sound artists, and experimental performers for another night of DIY creativity, open mic, and discussion. Known for its welcoming and unpredictable atmosphere, the event was a cracking evening of laughter, original poetry, and song, where new voices and returning performers pushed the boundaries of performance and community-driven arts. A Stage for All Voices With a steady flow of performances, the Fourth Portal stage saw contributions from both established and emerging artists, creating an environment where new collaborations formed in real time. Performers included (some names missing): Anthony Hart Chris Porcas Joe Cleary Johnny G Lee Campbell Nick Poet Redeeming Features Evelina Renata Arthur Camara Paul Taylor Joe Whittaker From high-energy spoken word to experimental soundscapes, Hypermedia Open Space 9 continued to demonstrate the power of grassroots creative spaces in Gravesend and beyond. As always, the evening embraced unpredictability, proving once again that art, music, and poetry thrive when given space to evolve without constraints. Artist focus Paul Taylor – Trombone Poetry Paul Taylor (main video below) is a multifaceted artist based in Rotherhithe, London, best known for Trombone Poetry, a solo performance project blending spoken word and trombone improvisation. His work is a fusion of rhythm, melody, and poetry, creating a distinctive and dynamic storytelling experience. In addition to performing, Paul is a brass tutor and author, with a background in philosophy and music education. 🔗 Trombone Poetry Website 🔗 Paul Taylor on Facebook Joe Whittaker – Folk Singer & Promoter Joe Whittaker is a folk singer and event booker at the Dartford Folk Club, one of the longest-running folk venues in the UK. A strong advocate for folk traditions and storytelling through song, he is also a contributor to Folk London, a bi-monthly magazine covering folk music, dance, and song events across Greater London and beyond. 🔗 Folk London Website Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next

This is a dummy page showing how an London Improvisers Orchestra gig page may appear once the Culture Reverb memory system is live. It is for demonstration purposes only and not yet connected to the full network. London Improvisers Orchestra London Improvisers Orchestra – Culture Reverb Demonstration Page This page is a demonstration of how Culture Reverb may look once live. The London Improvisers Orchestra webpage automatically generates a gig page containing a full interactive list of performers. These pages will connect to individual artist pages, instruments, collaborations, and venues, allowing scenes to emerge from the data. Once fully live, everything on the page will be connected across the open web. The London Improvisers Collective is a London based collective that performs monthly concerts throughout the year. For more information on Culture Reverb, contact John a John at info@fourthportal.com London Improvisers Orchestra #39 28 September 2025 Holy Trinity Church, Prince Consort Road, South Kensington, London SW7 2BA Sam Eastmond Jonny Martin Faradena Afifi Martin Hackett Douglas Benford Tilly Coulton Gina Fergione Kes Matsui Steve Beresford Benjy Sandler Benjamin Krauss Olga Ksendzovska Jess Bull Anderson Julian Woods Gerardo Gozzi Aurelie Freoua John Eyles London Improvisers Orchestra #38 9 July 2025 St Mary’s New Church, Stoke Newington Church St, London N16 9ES Jerry Wigens Sam Eastmond Steve Beresford Julian Woods J onny Martin Aurelie Freoua Chris Killick Martin Hackett Chris Hill Manuel Miethe Isabel Anders Dave Fowler Douglas Benford Bettina Schroeder Jo Morrison John Eyles John Bisset Adam Bohman Sue Ferrar Andrei Abramov Phil Minton Ivor Kallin London Improvisers Orchestra #37 8 March 2025 St Mary’s New Church, Stoke Newington Church St, London N16 9ES Dave Fowler Douglas Benford Steve Beresford Sam Eastmond Olga Ksendzovska Julian Woods Chris Hill Martin Hackett Thomas Mejer Ivor Kallin Jonny Martin Jerry Wigens John Bisset Noel Taylor Sue Ferrar Sung Mi Marina Kim Gina Fergione London Improvisers Orchestra #36 7 June 2025 St Mary’s New Church, Stoke Newington Church St, London N16 9ES Tansy Spinks Julian Woods Chris Hill Faradena Afifi Martin Hackett Korhan Futaci Douglas Benford Alan Newcombe Jerry Wigens Thomas Mejer Gina Fergione Jo Morrison Steve Potter Julia Doyle

< Back Unnamed Regular visitor who wishes not to be identified. While on an evening river walk with a local group, we stopped at St Andrews to look at Bawley Bay and the low commemorative plaque on the pavement corner. Fascinated by the plants outside, we peered meekly into the lobby. ( A W.I. meeting inside perhaps?). Animated by this discovery, we had an ad hoc discussion-while we blocked the pavement-about what Gravesend meant for us, in its unexpected richness. Many of the group were unaware that there even artists in the town! This individual visited the following day, with the rest being history, as is said. Q1: How and when did you first discover the Fourth Portal? While on an evening river walk with a local group, we stopped at St Andrews to look at Bawley Bay and the low commemorative plaque on the pavement corner. Fascinated by the plants outside, we peered meekly into the lobby. ( A W.I. meeting inside perhaps?). Animated by this discovery, we had an ad hoc discussion-while we blocked the pavement-about what Gravesend meant for us, in its unexpected richness. Many of the group were unaware that there even artists in the town! This individual visited the following day, with the rest being history, as is said. Q2: What were your initial impressions? St Andrews is now inviting-bowls one over-as it is open for more than just art exhibitions, yoga sessions and play readings. The inviting rich interior, with the evocative stained glass windows and objet d'art provide the stimulus to visit regularly, to support events and to meet friends rather than 'up' in the town. (As St Andrews is unimpeded on 3 sides, the light reflected off the Thames and from Bawley Bay at high tide, filters through the stained glass windows and is probably as the architect and artist envisaged them to be -as islands of spiritual and visual inspiration.) Q3: How has Fourth Portal inspired you? St Andrews emanates positive energy- enhanced by the continually evolving website-and the constant flow of creative visitors. This suggested to the writer the use of black biro- rather then the revered black ink- freedom from 90 degree paper corners as the paper was slightly off key, and by folding the sheet beforehand, freedom too from the flat surface.(Why not retrieve charcoal from a riverside barbecue, and draw on a greasy crumpled paper bag..indeed!) St Andrews presents an alternative to formal exhibitions, with refreshing insights into ways of making art. Q4: Will the inspiration be of benefit in the future? It would be untrue to deny the inspiration and impact that this initiative has had. It has given one the freedom to move away from the expensively mounted, framed art work, the attendant long C.V., the submission and selling fees, the pressure to sell to cover basic costs, as well as 'saving face' under the barrage of...'and you did not even sell!' It was a pleasure to be with unknown creative individuals -artists and visitors alike- all of whom responded with freshness and originality to the proposal. Q5: (optional) Anything you wish to add? (One hopes that somewhere in the wordy above, there is a positive kernel for fourthportal.) The picture will be sent via Whats App, soon. It was taken at about 9.50 am, on the overcast Wednesday 3rd January, from the corner outside the still closed market. Its black mass, with south light filtering through the skylights, inspired this photo. With my appreciation for your energy, insight and appreciation of the creative process, that enabled Versatility of Paper to become the success it has proved to be. Thank you, too, for your hard work for the accompanying Commemorative Newspaper. Previous Next

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Daniel Merrill performed his New Album with support from Rev. Matt Simpkins Nujumi with Reverend Matt Simpkins < Back 8 July 2023 Daniel Merrill performed his New Album with support from Rev. Matt Simpkins Previous Next https://video.wixstatic.com/video/2fcede_f1cec2c221e04d93b8201457ac2f057f/720p/mp4/file.mp4 This event has ended. Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next

Gravesend’s own Hypermedia returned to Fourth Portal for another evening of DIY poetry, spoken word, music, open mic, and discussion. Possibly the most diverse and relaxed lineup to date, Hypermedia Open Space 8 saw its youngest performer yet, Elsie, aged 7, receive a roaring reception, followed by Tony, aged 84, who was met with equal appreciation. Hypermedia DIY Open Space 8 < Back 10 April 2024 Gravesend’s own Hypermedia returned to Fourth Portal for another evening of DIY poetry, spoken word, music, open mic, and discussion. Possibly the most diverse and relaxed lineup to date, Hypermedia Open Space 8 saw its youngest performer yet, Elsie, aged 7, receive a roaring reception, followed by Tony, aged 84, who was met with equal appreciation. Previous Next Hypermedia DIY Open Space 8 A full house flowe d throughout the four-hour event, as poets, musicians, and sound artists from across t he southeast descended on the Fourth Portal stage to share their work. Performers (some names missing): Anthony Hart Chris Porcas Elsie Rayner Joe Cleary Johnny G Lee Campbell Nick Nola Rayner Poet Redeeming Features Ryan Smellilot Sophie Sirota Tony Thorley Zack Davies No Age Limit A standout moment came from 7-year-old Elsie Rayner , performing her first-ever poem in front of a packed audience. Watching a child stand before an audience of appreciative adults perfectly captured the supportive nature of Hypermedia events. Befor e Elsie, her 10-year-old sister, Nola Rayner, delivered an unforgettable rendition of Pam Ayres’ classic Oh! I Wish I'd Looked After Me Teeth. Proving that spoken word has no age limits, Tony Thorley, 84, followed soon after, showing that creativity has no barriers https://video.wixstatic.com/video/2fcede_aee7c100626f4ec0a09a4f2c9150503d/1080p/mp4/file.mp4 10-year-old, Nola Rayner https://video.wixstatic.com/video/2fcede_e8e3331edc914f9293d24c09e30b2365/1080p/mp4/file.mp4 7-year-old, Elsie Rayner A Night of Standout Performances The night saw performances from Poet Redeeming Features, whose raw and punchy punk poetry pushed audience boundaries with its mix of humour, intensity, and social commentary. Johnny G is becoming a Gravesend legend, his piano and cover numbers consistently hitting the right note and bringing a special energy. The growing confidence of Gravesend's Anthony Hart and Chris Porcas is inspiring others to take to the stage and share their words for the first time. In the busy throng of the evening, a steel guitar performance stunned the audience befor e they clapped along to Ryan's clever spoken song. Building Partnerships and Confidence Hypermedia and Fourth Portal are about more than an enjoyable evening - they are ab out connecting with other innovative events, groups, and move ments while offering opportunities beyond performance. Sound Engineer | Dan Simpson Un der the remote guidance of renowned visual and audio engineer Oli May, Dan Simpson stepped in to engineer the sound and visuals for Open Space 8. With a rapid stage turnover of nearly 20 performances across different genres, Dan was thrown into the deep end - and delivered flawlessly. Handling the most diverse Hypermedia event to date, he managed the technical side with the calmness and expertise of a seasoned professional, despite being at the start of his care er. Dan Simpson at work Building a Movement Hypermedia continues to evolve and expand, bringing together artists and audiences in an ex perimental, supportive environment. By combining elements of gathering spaces, open mic nights, and artistic happenings, Hypermedia has become a key part of the growing arts movement in Gravesend, Kent, London and the southeast of England. Many of the performers at Hypermedia Open Space are also organisers, running fast-growing events that are shaping an alternative performance scene across the southe ast. Holy Moly Poetry & Zack Davies A key voice in Gravesend’s spoken word scene, Zack Davies runs Holy Moly Poetry, a spoken word night hosted at The Mole Hole Micro Pub in Gravesend. Holy Moly fosters a community of writers, bringing together poets and storytellers across the region. Zack has also curated poetry events, including POW! Play on Words #10 , further cementing his role in the local and regional literary s cene. https://www.instagram.com/holymolypoetry/ Lee Campbell & POW! Play on Words Lee Campbell, co-cura tor of POW! Play on Words, brought his signature performance poetry, incorporating picture books and props to challenge traditional forms of storytelling. POW! is a playful, experimental space where spoken word meets performance, blurring the lines between poetry, theatre, and visual art. https://www.instagram.com/powplayonwords/ Sophie Sirota, Zack Davies and Lee Campbell Sophie Sirota & Coastal Electronauts Sophie Sirota is an electronic musician and viola player, blending classical music with real-time audio processing to create abstract, ambient soundscapes. She is part of the Coastal Electronauts, a collective that hosts Electronic Music Open Mic (EMOM) events on the second Thursday of each month in Whitstable. @sophiesirotaviola The Coastal Electronauts provide a platform for electronic musicians, fostering a growing community of artists and enthusiasts. Their events are live-streamed, offering broader accessibility. 🔗 Coastal Electronauts Facebook Group 🔗 Coastal Ele ctronauts YouTube Channel Political View The growing reputation of Hypermedia Open Space and Fourth Portal as a hub for creative expression and cultural engagement was highlighted by a visit from Lauren Sullivan, the soon-to-be Labour MP for Gravesham, and Shane Mochrie-Cox, Deputy Leader of Gravesham Borough Council. Their presence underscored the growing recognition of the importance of grassroots arts movements in shaping vibrant, connected communities. Engaging with performers and audiences, they experienced firsthand how Hypermedia is fostering a thriving creative scene that is gaining recognition beyond the arts community. Lauren Sullivan, MP for Gravesham, Shane Mochrie-Cox, Deputy Leader of Gravesham Borough Council, Joe Cleary and Harriet Hammond of Hypermedia Events. Upcoming Hypermedia Event 📅 Hypermedia Open Space 9 – Wednesday, 14 August 2024 📍 Fourth Portal Lab, Gravesend See Previous Events 🔗 All Hypermedia Open Spac e events 📸 Check out past performances, discussions, and the energy of previous events. Hypermedia Open Space events are free to attend, but donations are encouraged to help sustain the space. 📲 Find out more about Hypermedia: 🔗 Instagram: @hypermediaevents Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next

For The Sick And Poor MA Fine Art students from Central Saint Martins took over Fourth Portal for a bold and immersive group exhibition. Featuring performance, sculpture, painting, sound, and video, the show brought together eight emerging artists exploring themes of identity, perception, and materiality. CSM MA Fine Art Takeover < Back 7 March 2024 For The Sick And Poor MA Fine Art students from Central Saint Martins took over Fourth Portal for a bold and immersive group exhibition. Featuring performance, sculpture, painting, sound, and video, the show brought together eight emerging artists exploring themes of identity, perception, and materiality. Previous Next For The Sick And Poor MA Fine Art students from Central Saint Martins took over Fourth Portal for a compelling group exhibition, showcasing performance, sculpture, painting, sound, and video. Featuring eight emerging artists, the exhibition explored themes of identity, perception, materiality, and storytelling, offering an exciting glimpse into the future of contemporary art. Artists Georgia May Broadley (@mayartist_) – Explores camouflage, survival, and self-presentation, using vibrant colours to contrast deeper psychological and societal meanings. Hannah Absalom (@hkaart) – Multidisciplinary artist blending religious iconography, horror, and queerness in surreal visual narratives. Meejaah (@meejaah) – Investigates Derealisation-Depersonalisation Disorder (DPRD) through mythologised, dreamlike cinematic worlds in photography and film. Joshua Obichere (@j_n_artcsm) – Explores Black identity, faith, and cultural heritage, incorporating textiles and performance into his practice. Sandra Zanetti (@sandrazanetti_) – Deconstructs human experience, symbols, and world-building, merging global iconographies with personal narratives. Hollie Palmer (@holl_palmer) – Uses tufted sculptures and textiles to examine personal memories, emotional landscapes, and connections to place. Em Bristow (@_dood1es) – A transdisciplinary artist, writer, and musician, exploring identity, self-expression, and personal storytelling. Harriet Hammond (@h.rriet.) – Draws from 1970s food art, nostalgia, and childhood influences to explore fantasy, consumption, and play. Bodie Stanley (@bodie.stanley) – A multidisciplinary artist working with sound, print, sculpture, and installation, exploring urban experience, social engagement, and material interaction. Curated by Harriet Hammond, MAFA (First Class Hons.) https://video.wixstatic.com/video/2fcede_9e9e8a4c226f43609b0ca35a905ea854/1080p/mp4/file.mp4 Georgia May Broadley (@mayartist_) Georgia Bristow’s work explores themes of camouflage and survival, using vibrant colours to contrast with deeper psychological and societal meanings. Her art serves as a metaphor for personal and collective pressures, particularly the curated self-presentation shaped by social media. This reflects her own experiences with imposter syndrome and the concept of constructing a personal camouflage. Through her work, she highlights the tension between inviting appearances and hidden truths, encouraging people to embrace authenticity despite societal expectations. https://video.wixstatic.com/video/2fcede_20bdc217efba4d0d9bcf734af9521789/1080p/mp4/file.mp4 Hannah Kate Absalom (@hkaart) Hannah Kate Absalom is a multidisciplinary artist whose work explores the intersections of religious iconography, horror, and queerness. She re-contextualizes biblical imagery and symbolism, blending sacred, medieval, and science fiction elements to present contemporary expressions of dystopia and apocalypse. Absalom employs various mediums, including oil painting, printmaking, and moving-image work, often drawing inspiration from Renaissance painting, surrealist film, and the installation-like qualities of religious spaces. She now holds a Master's degree in Fine Art from Central Saint Martins, graduating with first-class honors in 2024, and was awarded the Cass Art Graduate Prize. https://video.wixstatic.com/video/2fcede_d79e25b9f1f74c4bb0dd1fc557d2cc9a/1080p/mp4/file.mp4 Meejaah (@meejaah) Meejaah’s work explores the intersection of personal experience, mythology, and perception , drawing from their lived experience with Derealisation-Depersonalisation Disorder (DPRD). Rather than viewing it through a clinical lens, Meejaah transforms this altered state of reality into a dreamlike, cinematic world, mythologising the mundane to create new narratives. Their character-based work personifies the condition - an "animalified" embodiment of the detachment and uncanniness that comes with DPRD. Through photography, film, and visual storytelling, Meejaah navigates the tension between knowing the world is real and feeling otherwise, highlighting how the brain’s coping mechanisms can both shield and distort our perception of reality. https://video.wixstatic.com/video/2fcede_875c4714b1904fbb88effa5c018180f5/1080p/mp4/file.mp4 https://video.wixstatic.com/video/2fcede_e9791236c58e45a2bf1122f3f74e9c49/1080p/mp4/file.mp4 Joshua Obichere (@j_n_artcsm) Joshua Obichere is a multidisciplinary artist and art educator based in London. He now holds an MA in Fine Art from Central Saint Martins (UAL) and a Master's in Education from the University of Cambridge, focusing on Social Justice and the Curriculum. Joshua is the founder of Skin Deep Education, an initiative aimed at promoting inclusivity and cultural diversity in education. His artistic practice delves into themes of the Black male body, African wax prints, and faith, critically exploring the intersections of identity and culture. ualshowcase.arts.ac.uk https://video.wixstatic.com/video/2fcede_c3b3f64fc4d94d4a96d8009d4154ba46/1080p/mp4/file.mp4 Sandra Zanetti (@sandrazanetti_) Sandra Zanetti is an internationally exhibiting multidisciplinary artist whose performances and installations unveil unconscious fears and desires, drawing inspiration from both local and global sources. Her work deconstructs the complexities of human experience, often weaving together physical compositions that utilise a unique visual language informed by various world cultures, iconographies, and socioeconomic theories. Zanetti has deep interests in language, embodiment, symbols, world-building, and the cyclicality of time concerning progression, innovation, and regression. sandrazanetti.com art-gab.blubrry.net https://video.wixstatic.com/video/2fcede_85687960603545c0932db6c0941464df/1080p/mp4/file.mp4 Hollie Palmer (@holl_palmer) Hollie Palmer is a London-based artist who explores the interplay between personal memories, emotional bonds with landscapes, and the events that tether individuals to specific places. Her work often involves creating tufted sculptures and textiles that reflect these themes. Palmer's creations have been featured in venues such as The Shop Tremenheere, and she has crafted pieces in response to exhibitions like the Mike Kelley exhibition at Tate Modern. ualshowcase.arts.ac.uk instagram.com https://video.wixstatic.com/video/2fcede_fde6601b5d7f460a8b99b410b5300ad0/1080p/mp4/file.mp4 Em Bristow (@_dood1es) Em Bristow, also known as Em Doodles, is a 24-year-old transgender artist, writer, and musician based in East London. Their work spans various mediums, and they have collaborated with producer and musician Charles Cave. Em's projects often explore themes of identity and personal experience. All pieces and fragments of Doodles' practice are enmeshed through the regurgitating of memories and language into sculptural, sonic and linguistic modes of creating. The work is fed by the wider context of mortuary practice, biopolitics, and ecology. With particular interest in the role of the corpse in conjunction with the trans body. Doodles' posits the systemically stifled power of bodies that are in a state of transition. Doodles' work engages with the ways all bodies exist in a state of flux and in exchange with linguistic systems of power. The works explore love and loss through abject, hybrid corpse sculptures, the honoring of incomplete bodies, and cyclical ideas. Repetition is deployed within Doodles' writing and visual motifs to situate the corp se in a new, boundless realm that allows for its leakage, mess and ambivalence. ualshowcase.arts.ac.uk https://video.wixstatic.com/video/2fcede_2c8390b77c8c416c8457c342b887d744/1080p/mp4/file.mp4 Harriet Hammond (@h.rriet.) Born in 2000, Harriet Hammond is an artist from Gravesend who recently completed her Master of Fine Arts at Central Saint Martins in London with First Class Honours and curated this exhibition. Her work has been featured in several exhibitions, and she draws inspiration from 1970s food art, toys, theatre, children's TV shows, and family dynamics to explore themes of fantasy, nostalgia, and consumption. ualshowcase.arts.ac.uk Fourth Portal Harriets' installation shows a vibrant table of clay sculptures, featuring a feast of fake food and two life-size human-animal characters seated at the table. Drawing inspiration from 70s food art, toys, theatre, children's TV shows, and family dynamics, the piece explores themes of fantasy, nostalgia, consumption and class. An over-stimulation of color and texture dominates the piece, with bright paints and shiny resin giving a wet, grotesque look. Each element is hand sculpted and detailed with a cocktail stick, creating an intricate and colourful world. Final Show The short, two man performance with Harriet Hammond and Georgia May Broadley (above), shows an angry chef with crab claw hands, "cooking" fake food for the fake characters at the table. Accompanying is an anxious waitress, whose struggle highlights themes of anxiety and people-pleasing within the chaotic world of hospitality. The performance transforms the installation into a fever dream-like experience, where costumed characters navigate the surreal dining scenario. By presenting the food sculptures in both conventional and unconventional manners, the performance amplifies the overstimulation with movement and sound, creating a dynamic experience that engages viewers in a fantastical, yet relatable narrative. Bodie Stanley ( @bodie.stanley ) Bodie Stanley is a London-based artist whose multidisciplinary practice encompasses sound, print, painting, sculpture, and installation. Born in 1988 in Atherton, Queensland, Australia, Stanley moved to Hackney, London, at the age of five and has spent the majority of their life in the city. Their work is deeply rooted in social engagement, often exploring themes of urban experience and the interplay between individuals and their environments. Stanley's creative process integrates both digital manipulation and manual handcrafting techniques, reflecting a commitment to materiality and sensory engagement. Notable projects include "Designated Noise Barricade," a sound installation that invites viewers to interact with structures reminiscent of urban barriers, transforming them into playful instruments. Stanley holds a Master of Arts in Fine Art from Central Saint Martins College of Art and Design and has exhibited in various venues, contributing to London's contemporary art scene. bodiestanley.co.uk ualshowcase.arts.ac.uk The opening event has ended | Exhibition ran until 13 March 2024. Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next

< Back arXiv Open-Access Repository Of Electronic Preprints And Postprints (e-Prints) arXiv is a free distribution service and an open-access archive for nearly 2.4 million scholarly articles from physics, mathematics, computer science, quantitative biology, quantitative finance, statistics, electrical engineering and systems science, and economics. Cornell University 1 Aug 2023 arXiv (pronounced as " archive "—the X represents the Greek letter chi ⟨χ⟩) is an open-access repository of electronic preprints and postprints (known as e-prints ) approved for posting after moderation, but not peer review . It consists of scientific papers in the fields of mathematics , physics , astronomy , electrical engineering , computer science , quantitative biology , statistics , mathematical finance and economics , which can be accessed online. In many fields of mathematics and physics, almost all scientific papers are self-archived on the arXiv repository before publication in a peer-reviewed journal. Some publishers also grant permission for authors to archive the peer-reviewed postprint . Begun on August 14, 1991, arXiv.org passed the half-million-article milestone on October 3, 2008, had hit a million by the end of 2014 and two million by the end of 2021. As of April 2021, the submission rate is about 16,000 articles per month. From Wikipedia, the free encyclopedia https://arxiv.org For more: Previous Next

All Improv Perfomers All Improv Gigs Marjolaine Charbin Piano, Voice Performer Bio (Max 1000 characters) London and South East improv gigs Burning Harpsichord Oct25 8 October 2025 Performer notes, message or style description http://Website or social media email or phone number

The Fourth Portal virtual newspapers exploring technology and innovation. These digital editions complements our 2,000 printed copies distributed across the southeast of England and beyond. FOURTH PORTAL NEWSPAPERS Explore our virtual newspapers on technology and innovation, complementing 2,000 printed copies per issue distributed across the southeast of England and beyond; commended in the 2025 Newspaper Awards. 2025 Newspaper Awards booklet: This newspaper exemplified commercial creativity by successfully engaging a local authority to use central government funding to connect residents and businesses. Its design was praised for its clear layout, compelling visuals and seamless integration of sections. Issue 1 Issue 1 delves into Kent's papermaking industry, exploring how traditional processes and materials evolve, integrating new technologies and adapting to changing market demands to unlock new business opportunities and the versatility of paper. Read Here Issue 2 Issue 2 explores the innovation journey, addressing barriers such as institutional intransigence and discrimination while highlighting the role of technology, wellbeing, and societal progress in shaping transformative business strategies and sustainable growth. Read Here Issue 3 Issue 3 highlights the resilience and innovation of Gravesham’s business and creative community amid ongoing economic pressures. From climate change and shifting customer habits to the realities of microbusinesses, it brings together local voices to discuss adaptation, culture, and the future of work. Read Here Digital and printed editions of the Fourth Portal newspapers are free to read and share. We welcome your comments, feedback, and suggestions - and are always open to interview requests. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link If you're interested in a bespoke newspaper tailored to your organisation, industry, or town, send us your requirements to info@fourthportal.com .

All Improv Perfomers All Improv Gigs Richard Hughes Accordion Performer Bio (Max 1000 characters) London and South East improv gigs Flimflam 28 May 2025 Boat-Ting Sep24 2 September 2024 Boat-Ting Nov24 4 November 2024 Boat-Ting Sep 2024 http://Website or social media email or phone number

A spontaneous decision to invite the crew of the visiting Spanish El Galeón Andalucía and representatives from the Port of London Authority (PLA) to discuss the art of sailing historic vessels on the modern Thames quickly turned into a lively and insightful exchange. With a bustling crowd in attendance, the event explored the challenges of navigation, maritime heritage, and the connection between past and present sailing techniques. El Galeon Andalucia and PLA < Back 19 September 2024 A spontaneous decision to invite the crew of the visiting Spanish El Galeón Andalucía and representatives from the Port of London Authority (PLA) to discuss the art of sailing historic vessels on the modern Thames quickly turned into a lively and insightful exchange. With a bustling crowd in attendance, the event explored the challenges of navigation, maritime heritage, and the connection between past and present sailing techniques. Previous Next El Galeón Andalucía & Port of London Authority at the Fourth Portal A spontaneous event on a chilly Tuesday afternoon saw the crew of El Galeón Andalucía and representatives from the Port of London Authority (PLA) gather at the Fourth Portal for an engaging discussion on navigating historic vessels in modern waterways. What began as an informal conversation quickly transformed into a lively and insightful exchange, enriched by performances from poets, storytellers, and musicians. With a bustling audience eager to explore maritime heritage, navigation challenges, and the deep connections between past and present sailing techniques, the event became a unique blend of discussion and artistic expression of poetry, storytelling, song, music making and lively discussion, bringing history to life in a truly immersive way. El Galeón Andalucía Visits Gravesend In September 2024, the El Galeón Andalucía made its inaugural visit to Gravesend, docking at the historic Town Pier from the 11th to the 22nd. This impressive 55-meter replica of a 16th to 18th-century Spanish galleon offered visitors a unique opportunity to explore its five decks, providing an immersive experience into maritime history. As part of an extensive European tour, the ship aimed to educate the public about the legendary vessels that once connected continents. During its stay, El Galeón Andalucía attracted numerous guests eager to learn about its historical significance and the lives of sailors who once voyaged aboard such ships. Navigating the Thames: A Conversation with the PLA & El Galeón Crew As part of its visit, El Galeón Andalucía participated in an impromptu talk at the Fourth Portal, alongside representatives from the Port of London Authority (PLA). The discussion explored the complexities of navigating a historic sailing vessel along the River Thames, touching on the challenges posed by tidal currents, modern river traffic, and the adaptation of traditional sailing techniques to contemporary waterways. This rare insight bridged historical maritime practices with present-day navigational expertise, bringing together past and present in a unique setting. Insights from El Galeón's Crew Andrea, the bosun of El Galeón Andalucía, provided a fascinating look into the demands of maintaining a historic sailing vessel. She spoke about the intricacies of traditional sailing practices, the challenges of managing the ship’s complex rigging system, and the crucial role of the boatswain in ensuring smooth daily operations. Andrea also delved into the complexity of navigating the River Thames using paper charts, demonstrating the skill required to maneuver such a grand vessel through dynamic waters. She was joined by Miguel, a volunteer crew member, on his first voyage aboard El Galeón Andalucía. Miguel shared his personal journey of adapting to life at sea, learning the ropes — literally — and the unique experience of working on a historically significant replica. Their combined stories brought the realities of sailing a galleon to life, offering the audience a rare glimpse into life aboard a traditional vessel. Port of London Authori ty: Keeping the Thames Ru nning John Dillon-Leetch, Port Hydrographer at the Port of London Authority (PLA), provided an in-depth look into the operations of the PLA, explaining his role in overseeing navigation, conservancy, and river management. He detailed the scale of maritime traffic entering the London Gateway and the intricate processes involved in keeping the river safe and navigable. As a final touch to the discussion, John delighted the audience with a traditional river folk song, bringing a moment of warmth and humour to the session — though we’ve promised not to share the video! A Visit to the Gravesend Gurdwara Before the event, the Fourth Portal took Andrea and Miguel to meet Jagdev Singh Virdee, who welcomed them to the Gravesend Gurdwara — one of the largest Sikh temples in Europe. Jagdev led a fascinating tour of the stunning Guru Nanak Darbar Gurdwara, explaining its rich history, architectural significance, and role within the local community. As a place of worship, learning, and service, the Gurdwara offers free meals daily in its Langar Hall, embodying Sikh values of hospitality and equality. For Andrea and Miguel, accustomed to the rhythms of life at sea, the visit provided a unique cultural exchange, offering them insight into the diverse heritage of Gravesend before they returned to El Galeón Andalucía. About El Galeón Andalucía El Galeón Andalucía is a meticulously crafted replica of a 16th-century Spanish galleon, constructed by the Nao Victoria Foundation in 2009. Spanning approximately 50 meters with six decks, this full-rigged ship serves as a floating museum, offering visitors an immersive experience into Spain’s maritime heritage. Since its launch, El Galeón Andalucía has sailed over 70,000 nautical miles, visiting ports across four continents and participating in numerous cultural projects. Port of London Authority (PLA): A River’s Lifeline Established in 1909 under the Port of London Act 1908, the Port of London Authority (PLA) is a self-funding public trust responsible for overseeing the tidal River Thames and its continuation into the North Sea. The PLA’s duties include maintaining navigation, ensuring safety, and protecting the river’s environment. Historically, the PLA was created to bring order to the congestion of the Thames, as rival wharves and docks competed for business in the late 19th century. Today, it remains crucial to the safe and sustainable management of the river, supporting both commercial and leisure activity. A Unique Exchange of Cultures and Maritime Knowledge The event at Fourth Portal was an unexpected yet enriching gathering, where historic maritime traditions, modern navigation, and local cultural heritage intertwined. From the open decks of a Spanish galleon to the worship halls of a Sikh temple, the experience showcased the diverse, interconnected stories that shape Gravesend’s riverfront today. The conversations sparked that day will undoubtedly continue to resonate, as visitors left with a deeper appreciation of the river, the ships that sail it, and the communities that thrive along its banks. https://video.wixstatic.com/video/2fcede_26c72fe341894d60b461735a193b2f20/1080p/mp4/file.mp4 Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next