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Issue 2 explores the innovation journey, addressing barriers such as institutional intransigence and discrimination while highlighting the role of technology, wellbeing, and societal progress in shaping transformative business strategies and sustainable growth. FOURTH PORTAL NEWSPAPERS The Past and Future always meet in the Present Issue 3 Issue 3 captures the innovation and resilience of Gravesham’s business and creative community as it navigates the long tail of Covid and ongoing economic pressures. From climate change impacts on farming and birdlife to changing customer habits and the realities of running microbusinesses, it brings together voices from across the borough to discuss adaptation, cultural difference, and the future of work. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link Issue 3 Introduction Iron Pier Brewery Fiona Spirals Jasmin Fuell Ms Earlyn Dusty Lens Stormchasing Broadditch Farm Rosa Woolf Ainley Mug and Meeple Shane Hymers Fastrack Stephen Kane Penders Pharmacy Digital and printed editions of the Fourth Portal newspapers are free to read and share. We welcome your comments, feedback, and suggestions - and are always open to interview requests. Facebook X (Twitter) WhatsApp LinkedIn Pinterest Copy link If you're interested in a bespoke newspaper tailored to your organisation, industry, or town, send us your requirements to info@fourthportal.com . The Fourth Portal Newspaper Issue 1 was kindly funded by Gravesham Borough Council using UK Government funds.

All Improv Perfomers All Improv Gigs Karen Barnes Performer Bio (Max 1000 characters) London and South East improv gigs SKRONK #178 16 September 2025 Performer notes, message or style description http://Website or social media email or phone number

< Back Paul Prudence: Thinking Like An Algorithm Hand-Plotting And Typewritings Expanded.Art 6 Dec 2023 You Might Not Know an Algorithm Until You've Typed it Artist Paul Prudence discusses using a typewriter to think like an algorithm. Anika Meier: Paul, you have a background in textile design. How did you get into art? Paul Prudence: My first degree was in textile design, but subsequently I shifted my path towards art, first by doing a post-grad diploma in textile art and then an MA in fine art. So, although I initially set out on an educational path in textiles, specifically printed design, I was always working on art projects, or at least thinking about art and researching its various historical movements since my early teens. AM: You’re known for repurposing an ordinary typewriter to behave like an electronic plotter. Why a typewriter? PP: I had been aware of and inspired by the concrete poetry movement, and as a writer, I was thinking about ways in which I could combine writing and visual art for a while. It was only by chance that one day I found an old Silver Reed typewriter in a charity shop. I bought the machine, took it home, and it sat in the corner of my studio space for some months before I tried to use it. When I did, the keys were a bit clogged and the ink was dry, so there was no typing to be had from it. Through a bit of frustration and some luck, I began to experiment with holding a pen in place while I typed and moved the platen roller up and down. I immediately recognised that I had a rudimentary mechanical plotting system sitting right in front of me. The idea of having a hand-operated mechanical plotter in the age of expensive and sophisticated electronic plotters amused me. From then on, I set out to explore ways in which to develop techniques for mimicking processes and algorithms. Even after nearly three years of using this technique, I am still finding new patterns and systems. https://www.expanded.art/articles/paul-prudence-thinking-like-an-algorithm For more: Algorithm, Design Previous Next

All Improv Perfomers All Improv Gigs Bill Thompson Live Electronics Performer Bio (Max 1000 characters) London and South East improv gigs Burning Harpsichord Oct25 8 October 2025 Performer notes, message or style description http://Website or social media email or phone number

Gravesend Innovation Showcase 2024 events, locations, talks, speakers and times. < Back Debugging Craft Beer Myths Start Time 12:00, 14:00 or 15:00 Running Time 45 Minutes Location 12. The Compass Alehouse Event Type Demonstration About the Event Introduction Explore the myths and marketing behind craft beer at "Debugging Craft Beer Myths," hosted at The Compass Alehouse. This engaging session will guide you through beer’s rich history and innovation, revealing what truly goes into your glass. Whether you’re a seasoned ale lover or simply curious, this tasting tour will deepen your appreciation and knowledge of the world of beer. More on the event lead John Warden is a retired acute psychiatric therapist turned publican and home brewer, with a passion for real ale and whisky. He founded The Compass Alehouse in Gravesend, leading the micropub movement and creating a community space that champions expertly crafted beers and whiskies. With a deep knowledge of brewing and a commitment to supporting local heritage, John combines his mental health background with his love for quality drinks, offering unique tasting experiences and fostering a welcoming atmosphere at The Compass. Event Information Each session has an "on the door" charge of £5.00 Each session lasts approximately 40 minutes for a maximum of 18 people. First come, first served. 12.00 noon, 2.00 pm, and 3.00pm Minimum age requirement 18+ (with ID required for under 25) This event is perfect for beer enthusiasts, curious newcomers, and anyone interested in the craft behind their drink. Whether seeking to deepen beer knowledge or enjoy a unique tasting experience, "Debugging Craft Beer Myths" offers insights into the history and truth behind beer-making. It’s a must-visit for those who value tradition, innovation, and community in the world of craft beer. ___ Even more information ___ John Warden Retired acute psychiatric therapist, home brewer, and publican. Like many, I worked my way through college by supporting my income in a pub, gaining my first experiences in this often challenging industry. In my early twenties, I lost my taste for lager and turned to real ale, brewing my own and developing a deep passion for it. This sustained me through years in mental health work, yet ultimately led to dissatisfaction with the available beer choices, sparking a desire to make a difference. I found my way into the ‘micropub’ revolution through a friend and local head brewer, realising this was my route into the industry (time and finances are always limited when raising a family and working for the NHS). “Time to put your money where your mouth is,” was the encouragement from friends and family. In the 10 years since opening, our reputation, knowledge, and industry contacts have grown far beyond our size. Understanding the different types, styles, nuances, and needs of beer keeps me focused and constantly learning, as I push the limits of our business and premises. It’s not all about beer, though—I’m a passionate whisky drinker and have put equal effort into understanding this historical, often misunderstood spirit. I now offer whisky-tasting experiences to share this knowledge and passion, both privately and at the Compass. The Compass Alehouse As a beer enthusiast and brewer, I always sought to improve my craft. I discovered that a local brewery used live or 'wet' yeast and wanted to brew with it. They agreed to let me have some, and I visited the brewery. Sitting amongst the casks, with the smell of hops and barley, the head brewer asked, “What do you think of micropubs?” I’d never heard of them but soon visited his partner’s newly opened premises. This was the pivotal moment—the conception of The Compass. While still working full time, I chose premises that suited the business model, accessible to family and friends who would help staff it, with reasonable footfall and originally without nearby competition. By September 2014, we opened, proudly describing ourselves as an 'Alehouse' to clarify that we weren’t a typical pub. We aimed to provide a constantly changing selection of well-kept beers. Focusing on gravity-drawn, cask-conditioned real ale, (though my knowledge of lager has rekindled my love for select varieties), we also stock Belgian and craft beers. Supplying whiskies from around the world, we now hold regular whisky tastings and an investment club. The Compass has changed the face of real ale drinking in Gravesend, paving the way for others to follow. The Compass is a multi-award-winning venue. Unable to enter CAMRA’s Pub of the Year until 2016, we were nonetheless given the special favour of being listed in the Good Beer Guide. We currently hold the local CAMRA branch award, placed 2nd in West Kent and joint 3rd overall in Kent, consistently ranking in the top 3 every year since. We’ve been nominated in the Gravesham Business Awards, ranked #1 in TripAdvisor for Gravesham nightlife, named Best Pub in the Restaurant Guru Awards, and featured on Made in Kent Radio as well as in local and national press. Despite COVID, rising pub closures, and the cost-of-living crisis, we are immensely proud of our achievements. However, The Compass is more than just a place to drink; it’s a community and a safe haven. Our customers are like family, volunteering their time and skills to help extend our opening hours and enhance the customer experience. They broaden our appeal, organise charitable events, and support each other both within and beyond the pub walls. They are the heartbeat of our success. Website: https://thecompassalehouse.co.uk/ Socials https://www.facebook.com/thecompassalehouse/ https://www.instagram.com/thecompassalehouse/?hl=en Previous Next

All Improv Perfomers All Improv Gigs Anthony Osborne Alto Saxophone Performer Bio (Max 1000 characters) London and South East improv gigs SKRONK #176 15 July 2025 SKRONK #177 2 September 2025 SKRONK #178 16 September 2025 SKRONK #175 1 July 2025 ImproVox #10 30 June 2025 Load More Performer notes, message or style description http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs Regan Bowering Percussion Performer Bio (Max 1000 characters) London and South East improv gigs Burning Harpsichord Oct25 8 October 2025 Performer notes, message or style description http://Website or social media email or phone number

Fourth Portal welcomed renowned pianist Julian Jacobson for an intimate sell-out performance, showcasing the versatility and depth of an ageing yet beautiful upright piano. The evening included a pre-concert talk on historic 78 RPM recordings, followed by a stunning programme spanning Beethoven, Debussy, Rachmaninoff, Satie, and more. Julian Jacobson < Back 28 February 2024 Fourth Portal welcomed renowned pianist Julian Jacobson for an intimate sell-out performance, showcasing the versatility and depth of an ageing yet beautiful upright piano. The evening included a pre-concert talk on historic 78 RPM recordings, followed by a stunning programme spanning Beethoven, Debussy, Rachmaninoff, Satie, and more. Previous Next PA Masterclass in Piano and Sound One of Britain’s most inspiring pianists , Julian Jacobson brought a captivating and innovative programme to Fourth Portal , demonstrating the versatility and richness achievable even from an ageing yet beautiful upright piano . His performance spanned centuries of music , from William Byrd and Beethoven to Rachmaninoff and Satie , showcasing a deep connection between interpretation, technique, and innovation . Programme Highlights Beethoven Sonata Op. 13 “Pathétique” (first movement) Debussy – Clair de Lune Rachmaninoff – Preludes in G major and G sharp minor Erik Satie – Gymnopédie No. 1 Carlos Gardel – Tango “Por Una Cabeza” Chopin – Nocturne Op. 9 No. 1 & Minute Waltz (Encore) Pre-Concert Talk – Beethoven on 78s Before the performance, Julian Jacobson and Richard Sanderson explored classic 78 RPM Beethoven recordings from the BBC Philharmonic Orchestra, generously gifted to Fourth Portal by local residents John and Sandra Wood. Julian also brought along his own Rachmaninoff 78s, featuring recordings of the composer performing his own music—a truly magical moment that set the stage for the evening. The Audience Experience For many, this was the first time witnessing a concert pianist perform up close , and the response was electric . The audience remained riveted throughout , with an enthusiastic post-concert buzz filling St. Andrew’s , the former seafarers’ church that now houses Fourth Portal . Culture Change – The Impact of 78s The advent of 78 RPM records and gramophones took orchestral music beyond the concert hall, bringing it to the masses for the first time. This technological breakthrough was a turning point in global culture, laying the foundation for modern music consumption—from early classical recordings to the g lobal reach of artists like Taylor Swift today . The Piano at Fourth Portal The upright piano at St. Andrew’s Waterside Mission Church has been a central fix ture of Fourth Portal Lab since its arrival. Over time, it has been played by musicians of all levels, from casual visitors experimenting with sound to virtuoso performances. Events like this highlight how innovation isn’t just about new technology—it’s also about how older instruments, in the right hands, remain full of life . The 78s Collection Played on the Night Beethoven – Concerto No. 5, Op. 73 “Emperor” (Artur Schnabel, London Symphony Orchestra, conducted by Dr Malcolm Sargent) Beethoven – Symphony No. 1 in C Major, Op. 21 (BBC Symphony Orchestra, conducted by Arturo Toscanini) ____ About Julian Jacobson A leading British pianist , Julian Jacobson is acclaimed for his technical brilliance, versatility, and deep musical insight . A specialist in Beethoven , he has performed the full cycle of 32 Beethoven sonatas twelve times , including several “marathon” performances , playing the entire cycle in a single day from memory . His career spans performances at major UK and international festivals , as well as recordings with labels such as Decca, Chandos, Naxos, and SOMM . 📖 Full Bio : Julian Jacobson’s Website 📷 Photo: Roger Harris About Richard Sanderson A multidisciplinary sound artist, record producer, and promoter , Richard Sanderson was Fourth Portal’s sound artist-in-residence from spring to summer 2023 . A former classical and jazz music buyer for Virgin Megastores , he has championed an eclectic range of musical styles , from spoken word and world music to left-field experimental and field recordings . Sanderson also led open-access sound performances at Fourth Portal, including field recordings of the Thames, a Hither Green Drone Orchestra beach performance, and an indoor sonic exploration of the Beaufort Scale. This event has ended. This event has ended. Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next

"Hypermedia returned, building on February’s packed event with an even larger audience. A full, non-stop programme of DIY poetry, spoken word, music, open mic, visuals, artist talks, and discussion ran from 7:00pm to 11:00pm, curated by Hypermedia Events." Hypermedia DIY Open Space 7 < Back 13 March 2024 "Hypermedia returned, building on February’s packed event with an even larger audience. A full, non-stop programme of DIY poetry, spoken word, music, open mic, visuals, artist talks, and discussion ran from 7:00pm to 11:00pm, curated by Hypermedia Events." Previous Next Hypermedia Open Space 7 Gravesend's own Hypermedia returned to Fourth Portal for another evening of DIY poetry, spoken word, music, open mic, and discussion . Over 100 attendees passed through the doors across the four-hour event , as poets, musicians, and sound artists from London, Kent, and Gravesend took to the stage to share their work. A Gathering of Voices – A Space for Creative Collaboration Instigated by local Gravesend artists, Joe Cleary and Harriet Hammond Hypermedia Open Space continues to push the boundaries of open mic, gathering spaces, and artistic happenings. More than just a performance night, it is an open and inclusive platform designed for creative exchange, bringing together people from different backgrounds, disciplines, and locations. The event fosters an experimental environment, welcoming both seasoned performers and first-time participants, providing a space where ideas and artistic expression can thrive. With events regularly fully booked, walk-ins are encouraged—whether to perform or simply absorb the energy of the space. Drawing participants from London, Kent, and beyond, Hypermedia has grown into a hub for collaboration and artistic experimentation, breaking down barriers and forging new creative connections. Running Order – Artist Presentations 7:05 – Ronnie 7:10 – Zach Dares 7:15 – Tony Thorley 7:20 – Tony, Harmonica 7:25 – Amy 7:30 – Betay 7:35 – Nick 7:45 – Bodie Stanley 8:00 – Lee Campbell 8:15 – Jonny G 8:20 – Aaron 8:35 – Sophie 8:50 – Colin 9:05 – Borje Lorcan 9:30 – Knitted Tongues 9:45 – Smelliot 10:05 – Nahum 10:20 – Ryan 10:40 – Tom 10:45 – Dan Clifford 10:50 – A nthony The similarities between Hypermedia and the early web A Space for All Generations Welcomin g artists of all ages and experience levels, Hypermedia Open Space creates an accessible and relaxed atmosphere for performers and listeners alike. The youngest participant at the March event was 12, while the eldest was 85, re flecting the broad appeal and openness of the format. Hypermedia and the Early Internet Hypermedia mirrors the early days of the Internet , where connections were formed organically through s hared spaces and open dialogue. Much like early bulletin board systems (BBS), it acts as a real-world network, bringing together artists, thinkers, and performers to share ideas and create new opportunities. This evolving, node-like structure reflects how the first digital communities developed - breaking traditional barriers and fostering collaboration beyond geographical limits. See Previous Events To explore previous Hypermedia Open Space performances , visit the galleries and vide os here: 🔗 Event Documentation Supporting Independent Art Hypermedia Open Spac e is free to attend, but audience contributions are encouraged to h elp support future events . Meet the Curators Founded by Harriet Hammond and Joe Cleary , Hypermedia is an evolving creative movement dedicated to fostering DIY artistic expression. 📲 Follow & Contact via Instagram: 🔗 @hypermediaevents ___This event has ended__ _ Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next

Hypermedia returned for Day One of a BIG WEEKEND of DIY poetry, spoken word, music, open mic, visuals, artist talks and discussion. Curated by Gravesend's very own Hypermedia Events. Hypermedia DIY Open Space 4 < Back 2 December 2023 Hypermedia returned for Day One of a BIG WEEKEND of DIY poetry, spoken word, music, open mic, visuals, artist talks and discussion. Curated by Gravesend's very own Hypermedia Events. Previous Next About the event Gravesend's very own Hypermedia presented the first full weekend series of DIY poetry, spoken word, music, open mic and discussion at the Fourth Portal Lab. Instigated by local Gravesend artists Hypermedia, this is an open emerging format pushing the boundaries of open mic. Welcoming to all ages and stages of the creative journey, the weekend offered a relaxed space to perform or listen in an informal atmosphere, attracting a wide and varied range of presentations and crossed all generations. Licenced bar. Event was free, although donations of a suggested were welcome. For more, contact Harriet and Joe from Hypermedia. Harriet: https://www.instagram.com/h.rriet/ Joe: https://www.instagram.com/_existencil This is an ongoing event series Visit Event Page MORE ON THIS EVENT BELOW Previous Next Event Documentation Previous Next

All Improv Perfomers All Improv Gigs Andrew Ciccone Performer Bio (Max 1000 characters) London and South East improv gigs SKRONK #178 16 September 2025 SKRONK #175 1 July 2025 Performer notes, message or style description http://Website or social media email or phone number

All Improv Perfomers All Improv Gigs Steve Noble Drums Performer Bio (Max 1000 characters) London and South East improv gigs Flimflam 28 May 2025 Boat-Ting Sep18 3 September 2018 Boat-Ting 16th Anniversary 2018 http://Website or social media email or phone number